Music Meets Science in Biophilia

The voice of nature Sir David Attenborough is featured explaining Iceland musician Bjork’s latest venture — Biophilia. It’s part music album reflecting the connection points between sound, nature and technology. It’s an app for iPhones and iPads. It’s a creation generator for fans of Bjork’s music to tinker and play with sound to make an instrumental backdrop for the singer’s powerful a capella voice.

…but much of nature is hidden from us, that we can neither see nor touch. Like the one phenomenon that can be said to move us more than any other in our daily lives: sound. Sound, harnessed by human beings, delivered with generosity and emotion, is what we call music. And just as we use music to express parts of us that would otherwise be hidden, so too can we use technology to make visible much of nature’s invisible world. In Biophilia, you will experience how the three come together: nature, music, technology. Listen, learn, and create. — Sir David Attenborough, intro to Biophilia

This experiment is described as a multimedia exploration mother application, comprising a suite of original music, and interactive, educational and musical artifacts.

The journey begins deep in the cosmos where galaxies form. Fly through homemade constellations that connect to ten songs, each with a different app and activity. The theme song Cosmogony plays as users decide where to begin their experience.

Biophilia Project Moon App

In Moon, Björk explores the lunar cycles and the effect they have on Earth. The song is based on four different sequences played by four different harpists: Zeena Parkins, Shelley Burgon, Sara Cutler, Carol Emanuel.

About the song, Björk explains, “With each new moon we complete a cycle and are offered renewal — to take risks, to connect with other people, to love, to give. The symbolism of the moon as the realm of imagination, melancholy, and regeneration is expressed in the song.”

The sequences of the song repeat, reflecting the lunar cycles.

18-year-old programmer Max Weisel designed the Moon app for Biophilia. The song is constructed in 17/8 time measure, a far cry from the musical standard 4/4 time. For that reason the app features a musical sequencer with 17 musical moons. Change the position of each moon to change the note it produces. Anyone can create a new melody each time which can be played with Björk’s voice.

Biophilia Virus App

In Virus, Bjork tells the love story between a virus and a cell. And of course the virus loves the cell so much that it destroys it. An interactive game in the app challenges the user to halt the attack of the virus, although the result is that the song will stop if the player succeeds. In order to hear the rest of the song, the players will have to let the virus take its course. Taking some artistic license, the cell nuclei will also mouth along to the chorus.

In her song Thunderbolt the Icelandic impresario uses arpeggios, inspired by the time between when lightning is seen and thunder is heard. She also demanded the creation of new instruments in order to properly show the interdependence of nature, innovation and technology. When she debuted Thuderbolt at the Manchester International Festival in June, she used two Tesla coils as core instruments.

Biophilia Crystalline App

Cyrstalline is the lead single on the Biophilia album and it required a new instrument as well. For this Bjork created the gameleste, a hybrid created by combining a gamelan (gong) and a celesta (organ), giving the singer the option of playing the gong remotely like an organ from her iPad. Crystalline tells the story of structure.

Bjork says of the app, “Travel through tunnels and collect crystals to make your own structure of the song.” Each move changes the way the song plays as you pick crystals along the way. Different crystals have a different effect, making the song a living, evolving structure. At the end, each play sees the crystal aggregation they have made and can save and share their structure with others.

The song and app explore structural similarities in crystals and music, using them to express changes between closed and open systems and emotional states in an effort to unify the external and internal worlds.

Cosmogony embodies the harmony of musical and planetary systems. It’s a song inspired by wonder at the cosmos and the question of how the universe came to be. the app acts as the navigation tool to explore the universe of Biophilia in 3D audio by traveling with your fingertips through space.

Bjork Cosmogony Cover

The Cosmogony app also alerts users when new apps are available, by highlighting them within the constellations. It exists to expand on the cosmological and unifying aspects of the mother app function and draws on the lyrics of the song which center around creation myths from different cultures.

Laura Sterritt at Transchordian says, “In this sense, ‘mother’ app takes on an additional meaning by relating to the birth of the universe.”

With her Biophilia project Bjork is embracing technology, collaborating with Apple and National Geographic to break new ground merging music with science to create a new appreciation for both.

Bjork Rocks Science with Biophilia

She tells the Guardian she has a three-year educational tour planned, inspired by Biophilia. The paper reports that in addition to the album, the free mother app and its 10 accompanying song apps, the Icelandic singer is mapping out a string of eight six-week residencies, comprising live performances, scientific expositions, and children’s workshops on nature and music.

Growing up, Bjork says, “My rock star was David Attenborough”. Now the rockstar is helping to reinvent the rockstar, herself.

According to Corey Tate at Spacelab, “The Biophilia experience will have central themes of science, earth, and space; it seems to be at the forefront of the new interactive music cool, with the combination of digital music and interactive experiences on the rise.”

Through 2014, Bjork will visit eight cities around the world, spending a month and a half in each. She will do twice-weekly performances of the album and host scientific exhibitions and classes for students. She says, kids will be able to “try out the instruments on the iPad and write songs and take them home.”